In this paper, we consider how dignity is discursively constructed in the context of work dominated by physicality and dirt. Based on semi-structured interviews with garbage workers, our analysis considers how the deprivations they experience are cast through discourses intended to construct their individual and collective worth. We consider the manner in which dignity maybe denied to such workers through popular repudiations of individuality and status. We demonstrate how this positioning arises from contact with physical dirt, and associations with socially (...) dirty work based on ascriptions of servility, abuse and ambivalence. We go on to consider how garbage workers respond to this positioning through discourses of ‘everyday heroism’. Heroism is evoked through three inter-related narratives that speaks to a particular type of masculinity. The first takes the form of a classic process of reframing and recalibration through which workers not only renegotiate their public position and status, but also point to the inherent value to be had in working with dirt as part of that which we identify as a process of ‘affirmation’. The second narrative arises from the imposition of favourable social and occupational comparisons that effectively elevate garbage collectors’ social position. The third discourse—and previously unobserved in respect of garbage work—centres on paternalistic practices of care. Combined, these discourses disrupt the generally held view that dirty work is antithetical to heroism and wounds dignity. (shrink)

The phrase per remos alii (Aen. 10.290) has baffled Vergil scholars for centuries, in which regard they have all just guessed at its meaning without citing any evidence to justify their views. During the 1960s, Gilbert Highet proposed a solution to the problem after seeing a scene in a Hollywood film in which a famous actor “ran down the oars” (i. e., ran over or along or across the oars)-a solution Highet would mention in his Vergil classes but never researched (...) for publication. This article attempts to justify Highet’s suggestion by considering, beyond the cinematic and related contemporary evidence, a variety of classical, medieval, and archaeological sources of information. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in (...) the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Complete Poems of Tibullus: An En Face Bilingual Edition by Rodney G. DennisRobert J. BallRodney G. Dennis and Michael C. J. Putnam, trans. The Complete Poems of Tibullus: An En Face Bilingual Edition. With intro. by J. Haig Gaisser. Berkeley: University of California Press, 2012. x + 159 pp. Hardcover, $52.95, Paperback, $20.95.This welcome edition of Tibullus’ elegies contains a two-page preface, a twenty-eight-page introduction, an en (...) face bilingual text and translation of the elegies of Tibullus, Lygdamus, and Sulpicia, a seven-page section of notes, a ten-page glossary, an appendix containing a text and translation of Ovid Amores 3.9 (Ovid’s memorial to Tibullus), a select bibliography, and a general index.As related in the preface, after the death of Rodney Dennis, Curator of Manuscripts for twenty-five years at Harvard University’s Houghton Library, Michael Putnam and Julia Gaisser agreed to bring to fruition the Tibullus translation Dennis had worked on, which Dennis had wanted Gaisser to help him perfect and for which he had wanted Putnam to write the introduction. Putnam and Gaisser decided to reverse the roles that had been envisioned for them by Dennis, with the revision of the translation (and the addition of the poetry of Lygdamus and Sulpicia) diligently executed by Putnam, Professor Emeritus of Classics at Brown University, and the introduction insightfully authored by Gaisser, Professor Emerita of Latin at Bryn Mawr College.Gaisser’s introduction examines 1) the world of the Roman elegists, especially how, in an era of brilliant poets, the elegists defined their genre; 2) the themes and characters in Tibullus’ elegies and how the characters help shape the [End Page 295] arrangement of his poems; and 3) what the elegies of Lygdamus and Sulpicia have and do not have in common with those of the other elegists. Gaisser’s fine comment, “His [Tibullus’] poems glide easily, some would say dreamily, from theme to theme, moving almost like a slide show through apparently random images and musings” (1), recalls statements of some of the poet’s admirers at the dawn of the twentieth century, such as Johannes Vahlen, who likened the movement of the elegies to the tide of a summer sea. Gaisser takes the middle ground, as appropriate, in seeing Tibullus as a poet who speaks through a persona, yet who has “some (perhaps many) points in common with his creator” (7)—as he very likely does—since even within the context of his alternate universe, he touches on the contemporary world, where he refers to people and events outside the poem’s web of self-reference. Yet one may question Gaisser’s unqualified comment that “Tibullus’ poetic techniques are Alexandrian at almost every level” (17)—a thesis developed by Francis Cairns based on Hellenistic evidence of a fragmentary nature, substantiated by Alexandrian elements in some of Tibullus’ verses but with little relevance to those elegies governed by non-Alexandrian literary sources.The bilingual text and translation include the sixteen elegies written by Tibullus (1.1–10 and 2.1–6), the six by Lygdamus (3.1–6), and the six by Sulpicia (3.13–18 = 4.7–12); not included are the Panegyric of Messalla (3.7 = 4.1), the Garland of Sulpicia (3.8–12 = 4.2–6), and the elegy and epigram of debatable authorship appearing at the end of the corpus (3.19–20 = 4.13–14). In preparing this edition of the elegies, Putnam has followed, appropriately, Georg Luck’s Teubner text (Stuttgart 1988, rev. in 1998)—a text containing the most complete list of Tibullus’ manuscripts ever assembled and the most extensive citation of variants and conjectures for the poems, which Putnam supplements with his own variants. Verse form presents a serious challenge for anyone attempting to translate classical poetry into English, inasmuch as classical meters are quantitative whereas English verse is accentual; although translations of classical verses into the original meters may well result in a metrical tour de force, they tend to have a jingly sound, which can obscure and overshadow the poet’s artistry. Philip Dunlop translated some of Tibullus’ elegies into free... (shrink)

First published in 1911 as the second edition of a 1900 original, this book provides a basic introduction to astronomy written by the former Astronomer Royal of Ireland. The text is illustrated with photographs, diagrams and drawings of astronomical phenomena, including certain comets and the constellations visible from the Northern and Southern Hemispheres. This book will be of value to anyone with an interest in the history of education and the teaching of astronomy.

This book presents introductions to the essential mathematical aspects of complexity science, suitable for advanced undergraduate/masters-level students and researchers.

The verse hinc subitae mortes atque intestata senectus has long fuelled considerable debate and discussion among classical scholars. This hexameter occurs in the passage of the first satire that describes the aspect of the patron-client relationship where the rich patron, ignoring the plight of his poor and hungry clients, enjoys a sumptuous but deadly feast. After dining on delicacies such as boar and peacock, he bathes on a bloated stomach, causing him to die suddenly and apparently intestate, and causing those (...) angry at being deprived of their legacy to cheer at his funeral :quanta est gula quae sibi totosponit apros, animal propter conuiuia natum!poena tamen praesens, cum tu deponis amictusturgidus et crudum pauonem in balnea portas.hinc subitae mortes atque intestata senectus.it noua nec tristis per cunctas fabula cenas;ducitur iratis plaudendum funus amicis. (shrink)

In previous research, we have argued that private companies should be more open with their scientific research findings. However, our research assumed, somewhat naively perhaps, that public institutions were quite open. Recent findings have suggested otherwise, and in this paper we explore the dilemma faced by industry, universities, and society in attempting to balance the needs of openness (to rapidly advance the body of knowledge), with secrecy (to protect the economic returns to a new innovation).

As a transplant surgeon at California Pacific Medical Center in San Francisco, I cannot forget those cases where I faced forks in the road and had to decide whether the right direction lay in the well-charted direction of objective metrics or immeasurable feelings of intuition. I carry those cases with me still.

Stewart Cohen’s New Evil Demon argument raises familiar and widely discussed concerns for reliabilist accounts of epistemic justification. A now standard response to this argument, initiated by Alvin Goldman and Ernest Sosa, involves distinguishing different notions of justification. Juan Comesaña has recently and prominently claimed that his Indexical Reliabilism (IR) offers a novel solution in this tradition. We argue, however, that Comesaña’s proposal suffers serious difficulties from the perspective of the philosophy of language. More specifically, we show that the two (...) readings of sentences involving the word ‘justified’ which are required for Comesaña’s solution to the problem are not recoverable within the two-dimensional framework of Robert Stalnaker to which he appeals. We then consider, and reject, an attempt to overcome this difficulty by appeal to a complication of the theory involving counterfactuals, and conclude the paper by sketching our own preferred solution to Cohen’s New Evil Demon. (shrink)

Zusammenfassung Der Beitrag beschäftigt sich in einer praxeologischen Perspektive mit den Wirkungen, die compu­ter- und videogestützte Spielanalysen im professionellen Fußball entfalten können. Es werden Wis­senspraktiken skizziert, die sich mit dem Einsatz von Spielanalysesoftware herausgebildet haben und es werden daran anknüpfend konzeptionelle Überlegungen präsentiert, die in zwei Richtungen weitergeführt werden: Zum einen werden sie auf zentrale Grundannahmen der Praxeologie bezo­gen. Dabei zeigt sich, dass die Analyse der Wirkungen und Potentiale reflexiver Wissens- und Kön­nensformen in Praktiken ein Desiderat der praxissoziologischen Perspektive darstellt. (...) Zum anderen werden aus den konzeptionellen Überlegungen zum softwaregestützten accounting Ideen zu den damit induzierten Veränderungen des Fußballspiels und des professionellen Fußballs entwickelt. (shrink)

Relational priming is argued to be a deeply inadequate model of analogy-making because of its intrinsic inability to do analogies where the base and target domains share no common attributes and the mapped relations are different. Leech et al. rely on carefully handcrafted representations to allow their model to make a complex analogy, seemingly unaware of the debate on this issue fifteen years ago. Finally, they incorrectly assume the existence of fixed, context-independent relations between objects.